Alexandra joins principal cellist Mark Churchill of Symphony Pro Musica as the soprano soloist in Hector Villa-Lobos’ Bachianas Brasileiras No. 5. This event is free and open to the public.

Alexandra will be covering Wife 1 and appearing in the ensemble in Aleksandra Vrebalov’s The Knock directed by Allison Moritz and conducted by TBA at Central City Opera.

This patriotic opera of heartache and hope tells the story of military wives awaiting news of their husbands deployed in Fallujah during the Iraq war. Years of interviews with military spouses performed by librettist Deborah Brevoort, and the moving score by Aleksandra Vrebalov, bring to life the sacrifices and bravery of those far from the lines of combat. Tickets may be purchased here.

Alexandra will be covering Wife 1 and appearing in the ensemble in Aleksandra Vrebalov’s The Knock directed by Allison Moritz and conducted by TBA at Central City Opera.

This patriotic opera of heartache and hope tells the story of military wives awaiting news of their husbands deployed in Fallujah during the Iraq war. Years of interviews with military spouses performed by librettist Deborah Brevoort, and the moving score by Aleksandra Vrebalov, bring to life the sacrifices and bravery of those far from the lines of combat. Tickets may be purchased here.

Alexandra will be covering Wife 1 and appearing in the ensemble in Aleksandra Vrebalov’s The Knock directed by Allison Moritz and conducted by TBA at Central City Opera.

This patriotic opera of heartache and hope tells the story of military wives awaiting news of their husbands deployed in Fallujah during the Iraq war. Years of interviews with military spouses performed by librettist Deborah Brevoort, and the moving score by Aleksandra Vrebalov, bring to life the sacrifices and bravery of those far from the lines of combat. Tickets may be purchased here.

Alexandra will be singing in the ensemble of Once Upon a Mattress conducted by TBA and directed by TBA at Central City Opera.

Packed with golden-age Broadway tunes, clever humor, and larger-than-life characters, Once Upon A Mattress offers a delightful mix of whimsy and vocal brilliance—perfect for anyone who loves music, laughter, and happily-ever-afters. Tickets may be purchased here.

Alexandra will be covering Wife 1 and appearing in the ensemble in Aleksandra Vrebalov’s The Knock directed by Allison Moritz and conducted by TBA at Central City Opera.

This patriotic opera of heartache and hope tells the story of military wives awaiting news of their husbands deployed in Fallujah during the Iraq war. Years of interviews with military spouses performed by librettist Deborah Brevoort, and the moving score by Aleksandra Vrebalov, bring to life the sacrifices and bravery of those far from the lines of combat. Tickets may be purchased here.

Alexandra will be singing in the ensemble of Once Upon a Mattress conducted by TBA and directed by TBA at Central City Opera.

Packed with golden-age Broadway tunes, clever humor, and larger-than-life characters, Once Upon A Mattress offers a delightful mix of whimsy and vocal brilliance—perfect for anyone who loves music, laughter, and happily-ever-afters. Tickets may be purchased here.

Alexandra will be singing in the ensemble of Once Upon a Mattress conducted by TBA and directed by TBA at Central City Opera.

Packed with golden-age Broadway tunes, clever humor, and larger-than-life characters, Once Upon A Mattress offers a delightful mix of whimsy and vocal brilliance—perfect for anyone who loves music, laughter, and happily-ever-afters. Tickets may be purchased here.

Alexandra will be covering Wife 1 and appearing in the ensemble in Aleksandra Vrebalov’s The Knock directed by Allison Moritz and conducted by TBA at Central City Opera.

This patriotic opera of heartache and hope tells the story of military wives awaiting news of their husbands deployed in Fallujah during the Iraq war. Years of interviews with military spouses performed by librettist Deborah Brevoort, and the moving score by Aleksandra Vrebalov, bring to life the sacrifices and bravery of those far from the lines of combat. Tickets may be purchased here.

Alexandra will be singing in the ensemble of Once Upon a Mattress conducted by TBA and directed by TBA at Central City Opera.

Packed with golden-age Broadway tunes, clever humor, and larger-than-life characters, Once Upon A Mattress offers a delightful mix of whimsy and vocal brilliance—perfect for anyone who loves music, laughter, and happily-ever-afters. Tickets may be purchased here.

Alexandra will be covering Wife 1 and appearing in the ensemble in Aleksandra Vrebalov’s The Knock directed by Allison Moritz and conducted by TBA at Central City Opera.

This patriotic opera of heartache and hope tells the story of military wives awaiting news of their husbands deployed in Fallujah during the Iraq war. Years of interviews with military spouses performed by librettist Deborah Brevoort, and the moving score by Aleksandra Vrebalov, bring to life the sacrifices and bravery of those far from the lines of combat. Tickets may be purchased here.

Alexandra will be singing in the ensemble of Once Upon a Mattress conducted by TBA and directed by TBA at Central City Opera.

Packed with golden-age Broadway tunes, clever humor, and larger-than-life characters, Once Upon A Mattress offers a delightful mix of whimsy and vocal brilliance—perfect for anyone who loves music, laughter, and happily-ever-afters. Tickets may be purchased here.

Alexandra will join her fellow Bonfils- Stanton Foundation Artists in concert with the Central City Opera Orchestra. Repertoire TBA. Tickets may be purchased here.

Alexandra will be singing in the ensemble of Once Upon a Mattress conducted by TBA and directed by TBA at Central City Opera.

Packed with golden-age Broadway tunes, clever humor, and larger-than-life characters, Once Upon A Mattress offers a delightful mix of whimsy and vocal brilliance—perfect for anyone who loves music, laughter, and happily-ever-afters. Tickets may be purchased here.

Alexandra will be singing in the ensemble of Once Upon a Mattress conducted by TBA and directed by TBA at Central City Opera.

Packed with golden-age Broadway tunes, clever humor, and larger-than-life characters, Once Upon A Mattress offers a delightful mix of whimsy and vocal brilliance—perfect for anyone who loves music, laughter, and happily-ever-afters. Tickets may be purchased here.

Alexandra will be singing in the ensemble of Once Upon a Mattress conducted by TBA and directed by TBA at Central City Opera.

Packed with golden-age Broadway tunes, clever humor, and larger-than-life characters, Once Upon A Mattress offers a delightful mix of whimsy and vocal brilliance—perfect for anyone who loves music, laughter, and happily-ever-afters. Tickets may be purchased here.

Alexandra will be study covering Lady Larken and singing in the chorus of Once Upon a Mattress conducted by TBA and directed by TBA at Central City Opera.

Packed with golden-age Broadway tunes, clever humor, and larger-than-life characters, Once Upon A Mattress offers a delightful mix of whimsy and vocal brilliance—perfect for anyone who loves music, laughter, and happily-ever-afters. Tickets may be purchased here.

Alexandra will be study covering Lady Larken and singing in the chorus of Once Upon a Mattress conducted by TBA and directed by TBA at Central City Opera.

Packed with golden-age Broadway tunes, clever humor, and larger-than-life characters, Once Upon A Mattress offers a delightful mix of whimsy and vocal brilliance—perfect for anyone who loves music, laughter, and happily-ever-afters. Tickets may be purchased here.

Alexandra will be covering Wife 1 and appearing in the ensemble in Aleksandra Vrebalov’s The Knock directed by Allison Moritz and conducted by TBA at Central City Opera.

This patriotic opera of heartache and hope tells the story of military wives awaiting news of their husbands deployed in Fallujah during the Iraq war. Years of interviews with military spouses performed by librettist Deborah Brevoort, and the moving score by Aleksandra Vrebalov, bring to life the sacrifices and bravery of those far from the lines of combat. Tickets may be purchased here.

Alexandra will be singing in the Valkyrie ensemble and covering Brünnhilde in the Wagner in Vermont Festival’s Die Walküre conducted by Hugh Keelan. Tickets may be purchased here.

Wotan's favored daughter, Brünnhilde, has to deal with her father's controlling nature and malevolent actions. At great cost to herself, she asserts her values of love, freedom, and emancipation. This most serious work of the Ring Cycle starts in rough woodland homesteads, and ascends to epic, cosmological heights.

Alexandra is the study cover for Brünnhilde in the Wagner in Vermont Festival’s production of Siegfried. Tickets may be purchased here.

An orphaned boy, brought up deep in the forest, is growing up. He asks uncomfortable questions as he starts to seek independence from his foster-parent, Mime. The boy is Siegfried, who will fully emancipate himself from Mime (come and find out how!), slay a dragon, learn the speech of a spirit-bird to guide him, and unwittingly enter the cosmic struggle between immortals for the baleful Ring.

Alexandra will be singing Gutrune in the Wagner in Vermont Festival’s production of Götterdämmerung conducted by Hugh Keelan. Tickets may be purchased here.

Götterdämmerung is a fierce, enthralling work with enormous implications. As the Gods approach their end, everything is at stake for the cosmos, and for humanity.

Brünnhilde consummates her love with Siegfried, only to be kidnapped from the circle of Magic Fire that Wotan had conjured to protect her. She finds herself on the banks of the Rhine in a decaying tribal court. Siegfried is already there: he has been ensnared and poisoned by his hosts. In a shocking sequence of betrayals, Brünnhilde learns what it is to be human. We meet Hagen: a dark, self-confident agent of evil in his slow and ruthless pursuit of the Ring.

The final scene, Brünnhilde's self-immolation with her horse Grane, closes the immense cycle with transcendent radiance. The music tells us that, as the Gods are toppled from their thrones, and the Ring is returned to its home in the depths of the Rhine, a woman saves the world to usher in a new era. The experience is beautiful and inspiring beyond description; for many people, it is life-changing.